Photography: Edward Burtynsky

On my way to Photo London I popped by Flower Central in Cork Street to admire some well known and some new work of one of my favourite artists: Ed Burtynsky. His prints of man-made landscapes and, more recently, the visually probing insight into contemporary China, are epic and monumental: large scale images of quarries, rubber piles, shipbreaking businesses in Bangladesh and 10.000 people assembly lines like your eyes have never seen it before. His style makes you almost smell all the toxic waste, and it is the details in the pictures that makes you grasp the scale of the sites inspected, like the house-size caterpillar trucks appearing like ants in the gigantic landscape of a quarry.


There are not a lot of photographers that combine "need-for-change" ethos a la Gore and Moore with immaculately crafted high-end aesthetics. And as far as I know, Ed doesn't digitally post-produce like Gursky does.

Until 2 June at Flowers Central, West End

Photo London

Being a very visual person, I have always, and will always love photography. Doing a bit of photo stuff myself for now 4 years, I also had an additional hat on this time. Whilst I won't and don't want to be an artist in the first place, it becomes more and more exiting to locate my own portfolio inbetween the different positions. It feels a bit similar to the tribute acknowledgements on music albums or quotations in scientific publications, that I have certain photographers that I deeply admire, and wonder to what degree these sources of influence impact on my own stuff or not.


Anyhow, some of my favourites are present in the Old Billingsgate Market, starting with Stephen Gill. The museums guard above is a typical representation of conceptual series by Stephen Gill, who captures people getting lost in central London, pictures bill boards from behind, or photographs the silent guards in museums. He often boarderlines between conceptual sequence and documentary style. My favourite cycle is called Hackney Wick in which he saves current socio-cultural netherworlds for future generations, who will only know this area as Olympic grounds (that will have pushed these East London urbanspheres away.

The picture at the top is Susan Derges, who specialises on photograms. These prints are direct results from light hitting photo-sensitive metal plates - there is no camera involved - and the sensation is that the prints are 1:1 in scale, meaning if you see a 2-3 meter print of water splash, that is the size of the metal plate this artist is driving and carrying to Oceans, lakes and rivers, often exposing them at nightime. This process results in the sharpest and most detailed photoworks around.

Another favourite of mine, Massimo Vitali, who has a knack for aperture almost blending out texture and colour of water and sans, thus, focussing on masses of tourists in bikinis and swimshorts. His work really shines through when seen in large scale.

Therefore, go until 3 June at Old Billingsgate Market

Cutty Sark - R.I.P.

Today on 21 May 2007, one of London's landmarks was destroyed: the Cutty Sark, the last remaining tea clipper on thisw planet. Even though a spokesman said the damage 'is not insurmountable' it remains questionable to what degree the historic ship can be restored, and if, at what costs - that largely depends on how much of the £25 restoration project has already been spent.

For me personally, I do feel quite attached to this event, since I have been to the Oriental Club in Mayfair last night (of which I never heard before and certainly wouldn't have expected such thing to exist...naive me...) and we had insightful talks about the East India Company (which founded the club) the British Empire and hence, the maritime trade - the folks I visited were a bit older so to say and had personal memories of the old Empire days. Coincidentally, a day later one of the icons of that era burns down in a fire. Weird life. And a shame for Greenwich.

I have taken the picture above in 2003. Rest in peace, Cutty Sark.

Unavailable until further notice, in Grenwich

Photography: Andreas Gursky

Duesseldorf 1992. A photographic exhibition absolutely blows my mind: three students of the famous "Becher Class" (boring yet world-famous photographs of gas and water tanks) at the Kunstakademie show their prints in a cutting edge gallery. Thomas Ruff, Thomas Struth and Andreas Gursky.

This time not only marked a generation change amongst the bue chip names of the Duesseldorf art scene, but also a paradigm shift from painting towards photography.

Back then, this medium was considered highly speculative and I remember that the price for some 'smaller Gursky prints was around £1000-2000 in Deutschmark value back then. Damn I didn't have the money to get one - I could buy a little flat for it today. For investors (which I am not - I still collect only nitty gritty pieces of young or historically insignificant artist every now and then) Gursky might be the world's most expensive living photographic artist, but for me he is just a 'local' icon (I am from Duisburg originally, 20 miles north of Duesseldorf).

Since then I have always been exited to see Gursky prints in full scale across the world. To my total and utter delight, he currently has a double exposure in the West End displaying almost a squaremile of photographic sensation (ok, I am slightly exaggerating here) and I am sure I will go back for further contemplation. Try and locate the manipulated details in the Formula One Series at White Cube...

The most fascinating new work is the one taken in North Korea. What an insight into the last Stalinist Regime on the planet.
Looks shockingly familiar in a way...Leni Riefenstahl...Berlin 1936...Olympics...history.

In my point of view, Gursky is simply the best social anthropology photographer, only rivalled by Edward Burtynski, who in a way is his environmental anthropolohy pendant (shipwrecks, quarries, tyre cemetaries etc).

Gursky mostly captures the mundane, but in the most monumental way. You must spoil your eyes to this!

Andreas Gursky at White Cube Mason’s Yard and Monika Sprüth Philomene Magers London, from 22 March to 12 May 2007.

Art Show: Boo Ritson - Hotdogs & Heroes

This is an unusual one: The photograph of a painting of a portrait - by simply adding the very artificial looking acryllic colours (paint has never looked so disgustingly plastic; for me a biting take on artificial aspects of American society...) Boo Ritson creates in intricate web of layers and cross-references.

The whole series 'Hotdogs and Heroes' is very conceptual, visually narrating an average day of a professional killer, who comes down to smalltown Nevada to 'do a job' suspecting the air hostess to be the frivolous girl in the bar last night, popping up his collar in the hope to not be reckognised.

Somehow, I immediately thought about Hopper's Nighthawks, and that these characters in this series here could be the a kind of off-spring story behind the famous picture, as if Boo intended to fill the infamous void that iconic painting left behind - 60 years later, as if small town Midwest hasn't moved on, well, it often appears to not have changed that much after all.

Until 29th April, David Risley Gallery, Vyner Street, E2

Artists Anonymous: Alice Straight to Video

We entered a fury cave labyrinth, the kind of installation that reminds you of childhood days. We joked and played around. I took this photo of hers curiously exploring what is in store to feed her exitement around the next corner.

After a minute or so she started to feel uncomfortable, claustrophobic and anxious. She asked the gallery girl for a sort of short cut to get out, cop out. I started to look at the video screens nestled into the white acryllic fur. It dawned on me relatively quickly. This was disturbing stuff - well, not exactly shocking given the first show of artists anonymous in Vyner Street exploring the traumatic side of 'drugs'.


The installation stations were mainly about sex, punch in your face with errected penises or a more subtle, morbid looking aquarium with undefinable gadgets inside. When I cam out on the other side, Katherine and Meghan were already engaged in a discussion on child abuse - the topic of this show. A terrifying corner of society, with no exit door for the victim who often get lurked into sugar-candied rabbit holes layed out by the perpetrators.

Later that day I found the press release on the collective's website and now it gets more shocking, especially being German myself: "In Germany one cannot prosecute against childhood sexual abuse after the age of 28...an infant who can or does not defend itself cannot be the victim of rape, merely of sexual abuse, even when sexual intercourse has taken place...Sexual abuse and Rape are both defined by specific occurrences...The mere memory that it was on Sundays when the mother was at church, is not enough...Germany’s leading organisation for adult survivors of sexual abuse, advises victims against prosecution, as it claims this is too traumatic for the victims..."

Incredibly important stuff. Disturbing content, encouraging format, strong message. From the outside this installation looks like a deconstructed pile of rubble, just like the life of the survivors.

Until 22 April, E2 9DG

My favourite Shops in London

Since I started posting on the London art scene, I often thought of posting my favourite top lists of best shops, galleries, artist's books, restaurants since food or shoes can be like a piece of art itself. Starting with a topic that is closely linked to art – commerce – you’ll find my 10 picks from the 40.000 shops in London below:

Koenig’s Bookshop
Having been a loyal customer for a decade to its Cologne branch (best art bookshop in the world hands down) I was delighted to find their little London branch in the Serpentine Gallery. Sunday morning 10am, a short stroll in Hyde Park before the crowds flock in, followed by the free exhibition in the gallery, and then the ritual of exploring and screening through this tiny space crammed with monographs and catalogues of current exhibitions around London with a sale section is in the back room. Serpentine Gallery, Hyde Park

ICA Bookshop
This is the best place in London for independent, artisan-led magazines and other underground-style periodicals such as Ken360, Greenwich Emotion Map, Daydream Magazine and other ‘secrets’. You wander what else is out there…
The Mall, West End

Bookshop @ Photographer Gallery
Not surprisingly, the best stop for publications on photography. You might spend hours. Great Newport Street, West End

Miller Harris
Tranquillity. Enthralling shop design. Charming sales person. Captivating scents. Miller Harris is a heaven for perfume aficionados, and the whole thing feels like a holistic art installation for your senses. Unique! Needham Road, Notting Hill

Jeffery West
Gents: Fed-up with assembly line output of yet expensive high street brands? Ladies: bored with ‘try-to-fit-in’ footwear of your beloved City Adonis? Jeffery West of Northampton make shoes for ‘Dandies’ as they say, but for me they are simply the most flamboyant shoes to turn a great suit into an artwork or a to get you into a fancy place with your jeans on. My favourite colour is “honey leather”. Classic shapes are Chelsea Brogues and pointy Budapesters. Piccadilly Arcades, West End

Nino’s
You can spend £75 on a decent Boss shirt and the chances are 1:10 you’ll see another one on the tube the next day. Or, you spend £100 on a limited edition shirt at Nino’s and you have a guaranteed one-off in your size for a particular colour. My favourite is a dark brown shirt with each button hole stitched in various colours. The Quality? You still look 9am even after dinner! They also have great cufflinks made from porcelain marbles and LEGO cubes. Quadrant Arcade, Regent Street

HG Walters
Voted the best family butcher by so-and-so association, I am endlessly thankful to only live a stone throw away. The display cabinet wants you to eat it raw on the spot, there are great cheese for vegetarians as well. It is not even expensive given that it is organic and local produce. Palliser Road, Baron’s Court

Stanford’s
London’s No. 1 temple for travel publications. But the geek in me comes back for the abundance of maps of everything in the basement. The detailed Landranger maps are invaluable to soul surfers keen to explore secret surf spots. Long Acre, Leicester Square

The Library
This men’s boutique in Chelsea sometimes feels like a test lab for Harrods and Selfridges. In the past, you could find Trunk t-shirts, Dries van Noten Jackets, Margiella jumpers or Dirk Schoenberger shirts at least a season earlier. The price tags can make you nauseous though. Brompton Road, Chelsea

Grace & Favour
A great ‘life-style’ store that sells candles as well as clothes. I got my favourite blazer there, an eccentric Gibson Jacket with 70s-style leather elbow pads and red and yellow lines crossing the tweed pattern. North Cross Road, East Dulwich

Art Show: Karen Kilimnick

Well, this review is actually more about the Serpentine itself rahter than about Karen Kiliminck's interesting collection of mainly oil paintings and room environments, which refer to classic painting from the 16th to the 20th century. Granted, this is good and consistent work, and her installations such as table, chairs, fireplace, curtains, wood work on the walls and a painting depicting...eh... exactly this scene are nice food for thought, but do not exactly tickly my fancy.

However, this exhibition confirms (again) what a versatile space the Serpentine Gallery really is. Most of the rooms are purpose-changed to resemble gardens, stables, dining and ballroom of Tudor mansions. I wonder how many people who enter the Serpentine for the first time really know the installation and where the regular features of this 1934 original teahouse begin.

Other great end-to-end shows blending in artwork and 'work on the place' include Michael Elmgreen & Ingar Dragset Welfare Show and Ilya and Emilia Kabakov Houses of Dreams. My favourite Serpentine show so far was Gabriel Orosco, and he used the space more like a couple of white cubes.

Perhaps, the key success factor for attracting 750.000 visitors per year is access: located in Hyde Park and free for all, it attracts figures from all sorts of life, ranging from sunbathers seeking a break to Charles Saatchi assessing the latest shadow projection of Tim Noble & Sue Webster. One of my all-time London favourites!

Until 9 April at the Serpentine

Concert: Bonobo at The Forum

Bonobo has become my favorite band of late. I discovered them for myself on a bodyboarding DVD soundtrack about two years ago. Hence, my exitement to get tickets at The Forum in Kentish Town from my goddess fiance for Valentine's Day.

To understand the name, Wikipedia provides a clear answer: biologists have called bonobo's pygmee chimpanzee until recently... What kind of music? Hard to say - I'd call it downbeat jazz with a pinch of chillout lounge.

However, they don't fit into boxes. Neither are the jazzy elements really improvised, nor does the collective sound of keyboard, bass, guitar, Sax, drums and various electronic effects sound cafe-del-mar-hotel-costes-supper-club at all. It is just brilliant. Very imaginative and very idiosyncratic. They look that as well, particularly the Sax player. The 90 minute show was all in all honest, perfectly played music that gets your senses going but doesn't tickle your limbs further than little, gentle and almost introvert moves. So it is not for dancing, yet it's groovy.

The third album is called day to come and features Bajka, a lovey German singer who joined the guys on stage for the four vocal songs. Her voice and style is very hard to define as well. Perhaps a fusion of Berlin Variete and Moloko.

My favourite album is 'Dial M for Monkey', but my most loved tune is 'Silver' on Animal Magic. The closest match in my collection in terms of style are certain tracks of Loka, DJ Krush and Sofa Surfers. If these names ring any bell, can anyone recommend anything vaguely similar?

Art Show: Tino Sehgal at the ICA

The Trilogy - Part Three

Yeah - he is back. Not as clever as last year. Therefore creating links to the upper floor piece of his phenomenal first appearance in 2005.

"I have decided that this artwork is called 'success'." As suggested by the image above, this year's performance (is it really performance art, or more like a Beuys' Social Plastic where everyone is an artist - I don't know...) involves children. That's as much I wish to reveal. You need to experience yourself what it is all about: just sit down somewhere in the corner and observe - you will find inspiration, guaranteed!

Until 4 March, 2007 at the ICA, Pall Mall