Tuesday, April 17, 2007

Photography: Andreas Gursky



Duesseldorf 1992. A photographic exhibition absolutely blows my mind: three students of the famous "Becher Class" (boring yet world-famous photographs of gas and water tanks) at the Kunstakademie show their prints in a cutting edge gallery. Thomas Ruff, Thomas Struth and Andreas Gursky.

This time not only marked a generation change amongst the bue chip names of the Duesseldorf art scene, but also a paradigm shift from painting towards photography.

Back then, this medium was considered highly speculative and I remember that the price for some 'smaller Gursky prints was around £1000-2000 in Deutschmark value back then. Damn I didn't have the money to get one - I could buy a little flat for it today. For investors (which I am not - I still collect only nitty gritty pieces of young or historically insignificant artist every now and then) Gursky might be the world's most expensive living photographic artist, but for me he is just a 'local' icon (I am from Duisburg originally, 20 miles north of Duesseldorf).

Since then I have always been exited to see Gursky prints in full scale across the world. To my total and utter delight, he currently has a double exposure in the West End displaying almost a squaremile of photographic sensation (ok, I am slightly exaggerating here) and I am sure I will go back for further contemplation. Try and locate the manipulated details in the Formula One Series at White Cube...

The most fascinating new work is the one taken in North Korea. What an insight into the last Stalinist Regime on the planet.
Looks shockingly familiar in a way...Leni Riefenstahl...Berlin 1936...Olympics...history.

In my point of view, Gursky is simply the best social anthropology photographer, only rivalled by Edward Burtynski, who in a way is his environmental anthropolohy pendant (shipwrecks, quarries, tyre cemetaries etc).

Gursky mostly captures the mundane, but in the most monumental way. You must spoil your eyes to this!

Andreas Gursky at White Cube Mason’s Yard and Monika Sprüth Philomene Magers London, from 22 March to 12 May 2007.

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